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How ironic that The Clash should be on the cover of the NME in the week that London was burning, that their faces should be staring out from the shelves as newsagents were ransacked and robbed by looters intent on anarchy in the UK. Touching too, that the picture should be from very early in their career – Joe with curly blond hair – for The Clash were formed in the wake of a London riot: the disturbances that broke out at the end of the Notting Hill Carnival of 1976.

At the time, the press reported it as the mindless violence of black youth intent on causing trouble; now we look back and recognise that it was the stirrings of what became our multicultural society – the moment when the first generation of black Britons declared that these streets belonged to them too.

The Notting Hill Riots of 35 years ago created a genuine ‘What The Fuck?’ moment – the first in Britain since the violent clashes between mods and rockers in the early 60s. While west London burned, the rest of society recoiled in terror at the anger they saw manifested on the streets of England. In the aftermath, severe jail sentences were handed down and police patrols stepped up in areas where there was a large immigrant population. Sound familiar?

But something else happened too – in the months that followed, bands appeared that sought to make sense of what went down on that hot August night. Aswad, Steel Pulse and Misty in Roots were among the reggae bands that stepped forward to speak for the black community.